Sharyn J. Emery, Department of English |
Melissa Pennell, Department of English |
Illustration "Keep my Image in your Remembrance" by Frank T. Merrill for "Lady Eleanore’s Mantle" (courtesy of Peabody Essex Museum, Salem, MA) |
"Lady Eleanore's Mantle" is, most simply, a story about pride. It has also been described as a tale about revolution, and as a cautionary tale of infection and disease. Lady Eleanore Rochcliffe comes to Boston from London to live in the Province House under the care of her guardian, Governor Shute. She immediately shows her prideful disdain for all those she perceives as her inferiors, including Jervase Helwyse, a young man who has fallen in love with her. Lady Eleanore is known and envied for her beauty, which is highlighted by her embroidered mantle, without which she is seldom seen. To celebrate her arrival, Governor Shute hosts a ball to which all those of importance within the colony are invited, but Lady Eleanore ignores most of the guests. During the evening, she is approached by Jervase, who has been maddened by his love for her. He offers her a goblet of wine, which she refuses, then beseeches her to cast off her mantle, which she also refuses to do. In a short time, the famed smallpox plague of 1721 hits the city, and the rich and poor, the snobbish and compassionate alike, are felled by the disease. Lady Eleanore herself is stricken, and languishes in a final judgment on her pride-a disfiguring curse that may very well have been spread by her incredibly designed mantle.
In this story, Hawthorne creates a female character who is similar to some of his other female characters, yet markedly different at the same time. Lady Eleanore is strong-willed like Hester Prynne, yet has neither Hester's pity nor compassion. Eleanore is beautiful like Young Goodman Brown's wife, Faith, but has no spirit of kindness about her. What Eleanore does have, in spades, is attitude and conceit, the hubris that leads to a comeuppance even she cannot escape. Like Alice Pyncheon, Lady Eleanore becomes a mysterious presence, ghost-like in her haunting of the Province House at the end of the tale.
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Excerpts are from the story "Lady Eleanore's Mantle" (from Twice Told Tales, Volume 2, 1851)
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Full text of "Lady Eleanore's Mantle" (from Twice-Told Tales, Volume 2, 1851)
The following black and white illustrations by Frank Merrill accompanied the publication of "Lady Eleanore's Mantle" in 1896.
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Illustration from "Lady Eleanore's Mantle" from Colonial Stories illustrated by Frank T. Merrill and published in 1896 by Joseph Knight Company in Boston (courtesy of Peabody Essex Museum, Salem, MA) |
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"Young Man, what is your Purpose?" Illustration by Frank T. Merrill for "Lady Eleanore's Mantle" from In Colonial Days, in the edition published by L.C. Page & Co. in 1906 (77) |
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Illustration "The Communication could be of no Agreeable Import" by Frank T. Merrill for "Lady Eleanore's Mantle" from In Colonial Days, in the edition published by L.C. Page & Co. in 1906 (73) (courtesy of Peabody Essex Museum, Salem, MA) |
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Illustration "Keep my Image in your Remembrance" by Frank T. Merrill for "Lady Eleanore’s Mantle" from In Colonial Days, in the edition published by L.C. Page & Co. in 1906 (71) (courtesy of Peabody Essex Museum, Salem, MA) |
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Illustration "I Pray you take one Sip of This Holy Wine" by Frank T. Merrill for "Lady Eleanore's Mantle" from In Colonial Days, in the edition published by L.C. Page & Co. in 1906 (67) (courtesy of Peabody Essex Museum, Salem, MA) |
A 1906 publication featured illustrations in color, also by Frank Merrill.
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Illustration "A Pale Young Man...prostrated himself beside the Coach" by Frank T. Merrill for "Lady Eleanore's Mantle" from In Colonial Days, in the edition published by L.C. Page & Co. in 1906(facing 59) (courtesy of Peabody Essex Museum, Salem, MA) |
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"That Night a Processsion passed by Torchlight" Illustration by Frank T. Merrill "Lady Eleanore's Mantle" from In Colonial Days,published by L.C. Page & Co. in 1906 (opposite 80) (with special thanks to Dr. John L. Idol Jr.) |
These photographs reveal the interior settings that Lady Eleanore might have encountered upon her arrival in America and the style of clothing that wealthy young women might have worn.
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Sitting Room in Crowninshield Bentley House, Salem, MA Sitting room typical of era during which Lady Eleanore's Mantle is set (courtesy of Peabody Essex Museum, Salem, MA) |
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Desk in Sitting Room in Crowninshield House Desk that appears in sitting room typical of era during which Lady Eleanore's Mantle is set. (courtesy of Peabody Essex Museum, Salem, MA) |
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Dressing Table in second floor of Gardner-Pingree House, Salem, MA A lady's dressing table from the late eighteenth century (courtesy of Peabody Essex Museum, Salem, MA) |
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Portrait of young woman on wall of lady's sitting room of Crowninshield Bentley House This portrait of a young woman reflects the style of dress popular during the time period of the story "Lady Eleanore's Mantle." (courtesy of Peabody Essex Museum, Salem, MA) |
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Canopy bed in lady's bedroom on second floor of Crowninshield Bentley House Crowninshield Bentley House. This room is typical of the room in which Lady Eleanore would have stayed. Its furnishings reflect the degre of comfort to which she would have been accustomed. (courtesy of Peabody Essex Museum, Salem, MA) |
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Lady's Bedroom in Crowninshield Bentley House Crowninshield Bentley House. These elements of decor are typical of those that would have graced the rooms in which Lady Eleanore lived. (courtesy of Peabody Essex Museum, Salem, MA) |
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Table with mirror and candle in lady's bedroom of Crowninshield Bentley House, Salem, MA This mirror is typical of that in which Lady Eleanore might have studied her reflection and admired her appearance. (courtesy of Peabody Essex Museum, Salem, MA) |
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Portrait of Cotton Mather (1663-1723) Cotton Mather was one of Puritan New England's most influential ministers and leaders. He was famous for his writings, histories such as Magnalia Christi Americana and those that helped stir up support for the Salem Witchcraft Trials of 1692. He also promoted learning and early scientific knowledge in New England. He worked for acceptance of the smallpox vaccine and wrote a treatise on medicine called The Angel of Bethesda. (courtesy of Peabody Essex Museum, Salem, MA) |
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Illustration for "Lady Eleanore’s Mantle" from Hawthorne’s Works, vol. 1, Twice-Told Tales, frontispiece from the 1882 Riverside Press 15 volume edition of Hawthorne's works published by Houghton, Mifflin & Co. in Boston (courtesy of Halldor F. Utne) |
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Illustration "Keep my Image in your Remembrance" by Frank T. Merrill for "Lady Eleanore’s Mantle" (courtesy of Peabody Essex Museum, Salem, MA) |
Excerpts are from the story "Lady Eleanore's Mantle" (from Twice Told Tales, Volume 2, 1851)
First, look up the symptoms and history of smallpox:
Next, apply that to the story, "Lady Eleanore's Mantle":
Learn about the outbreak of smallpox in 1721 by visiting the following web sites:
Contemporary study