Material prepared by:
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David Donavel, Department of English
Masconomet Regional High School, Topsfield, MA |
George Fox, Quaker from England(courtesy of Dr. John L. Idol, Jr.) |
Hawthorne's interest in the Puritan persecution of the Quakers grew, at least in part, out of the fact that his ancestor, William Hathorne, was one of those responsible for their mistreatment in the 1650's. It is William to whom Hawthorne alludes in "Young Goodman Brown" when the devil explains that he was present when Brown's grandfather "lashed the Quaker woman so smartly through the streets of Salem," behavior that Hawthorne found deplorable. However, if he expresses frank sympathy with the Quakers in "Young Goodman Brown," "Main Street," and The Scarlet Letter, that feeling is mitigated in other tales such as "The Gentle Boy" where we see Catherine, the Quaker mother of Ibrahim, the gentle boy who gives the story its title, behaving with the same kind of intolerant fanaticism that so discouraged Hawthorne when displayed by the Puritans. There is, too, an implied criticism of Quaker fanaticism in Hawthorne's sketch, "Mrs. Hutchinson" as the religious audacity of Antinomian Anne Hutchinson reflects the behavior Hawthorne rejects in Catherine. It may well be that Hawthorne's aversion to fanaticism of any sort can be explained by his wry assessment in The House of the Seven Gables of the efforts of Cotton Mather and others to rid the colonies of those they perceived to be witches: "Since those days, no doubt, it had grown to be suspected, that, in consequence of an unfortunate overdoing of a work praiseworthy in itself, the proceedings against the witches had proved far less acceptable to the Beneficent Father than to that very Arch Enemy whom they were intended to distress and utterly overwhelm." It is likely that Hawthorne scented in any "unfortunate overdoing" the aroma of pride, that deadly sin that ruins so many of his characters.
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The House of the Seven Gables
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Title page of book edition of "The Gentle Boy" published by Wiley & Putnam containing drawing of Ibrahim by Sophia Peabody (courtesy of the Peabody Essex Museum) | |
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Dedication page of book edition of "The Gentle Boy" published by Wiley & Putnam containing drawing of Ibrahim by Sophia Peabody (courtesy of the Peabody Essex Museum) | |
Excerpt from "Thomas Maule Sarah Kendall Maule," a biographical sketch by James Edward Maule Signature; House of Thomas Maule; Quaker Meeting House |
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George Fox, Quaker from England George Fox launched the Quaker movement in England in 1646; he sailed to American in 1671. Hawthorne depicts Fox in a favorable light in Grandfather's Chair, "Grimshawe," and "A Virtuoso's Collection." In "The Gentle Boy," however, Hawthorne points to the fanaticism of the Quakers. (courtesy of Dr. John L. Idol, Jr.) |
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Illustration by Sophia Peabody from The Gentle Boy: A Thrice Told Tale, 1839 This illustration of Ibrahim by Hawthorne's wife captures Ibrahim's vulnerability and gentleness. (courtesy of Peabody Essex Museum, Salem, MA) |
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"The Gentle Boy" Cover of "The Gentle Boy" published in a separate volume by Weeks & Jordan in Boston and by Wiley & Putnam in New York and London in 1839 and illustrated by Sophia Peabody. (courtesy of Peabody Essex Museum, Salem, MA) |
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Title Page of "The Gentle Boy" "The Gentle Boy" was published in a separate volume in 1839 by Weeks, Jordan & Co. in Boston and by Wiley & Putnam in New York and London and illustrated by Sophia Peabody. (courtesy of Peabody Essex Museum, Salem, MA) |
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The Gentle Boy Dedication page of "The Gentle Boy" published in 1839 as a separate volume by Weeks & Jordan in Boston and Wiley & Putnam in New York and London and illustrated by Sophia Peabody. (courtesy of Peabody Essex Museum, Salem, MA) |
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The Massacre of Ann Hutchinson Illustration from A Popular History of the United States by William Cullen Bryant. New York, Charles Scribner’s Sons, 1896. (courtesy of The Boston Public Library.) |
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Statue of Mary Dyer in front of the Boston State House (photography by Dan Popp) |
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Nicholas Phelps House Nicholas Phelps House. From Sidney Perley's The History of Salem Massachusetts, Vol. II. |
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Thomas Maule's Signature Thomas Maule Autograph. From Sidney Perley's The History of Salem Massachusetts, Vol. II. |
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Thomas Maule House Thomas Maule House. From Sidney Perley's The History of Salem Massachusetts, Vol. II. |
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The First Quaker Meeting House From chapter XV entitled "Quaker Persecution" Sidney Perley's The History of Salem Massachusetts, Vol. II, 1926 Drawing (pencil sketch)by James Henry Emerton, 1861 (as meeting house stood in Gallows Hill pasture as a woodshed) (special thanks to Salem Public Library.) |
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"Whipping Post," Salem An illustration of a whipping post from Sidney Perley's The History of Salem Massachusetts, 1924. The whipping post in Salem was set up in 1657. The constable was paid two shillings and six pence for each person he whipped. In November of 1667, constables were released from whipping, and the town agreed to hired a whipper. |
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An illustration of a pillory from Sidney Perley's The History of Salem Massachusetts, 1924. Salem's pillory was set up in 1642. (special thanks to Salem Public Library.) |
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"Stocks" An illustration of stocks from Sidney Perley's The History of Salem Massachusetts, 1924. Stocks were in use in Salem from the settlement's earliest days. They were located outside in the most conspicuous places. The use of stocks for public punishment ended in Salem in or before 1805. |
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Samuel Shattock Gravestone Charter Street Burial Ground, Salem (courtesy of Peabody Essex Museum, Salem, MA) |
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Statue of Mary Dyer in front of the Boston State House (photography by Dan Popp) |
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Statue of Mary Dyer in front of the Boston State House Statue of Mary Dyer in front of Boston State House with inscription: Mary Dyer Quaker Witness for religious freedom Hanged on Boston Common 1660 "My life not availeth me in comparison to the liberty of the truth." |
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Samuel Shattock Autograph Autograph of Samuel Shattock, Salem. (courtesy of Peabody Essex Museum, Salem, MA) |
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Massachusetts State House Across from the Boston Common A statue of Mary Dyer stands in front of the Massachusetts State House in Boston which was erected in 1798. Dyer was a Quaker who fought for religious freedom and was hanged on Boston Common in 1660. |
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Rev. William Whitwell, 1781, Marblehead, Massachusetts The portrait of Rev. Whitwell of Marblehead was carved by Daniel Hastings of Newton, Massachusetts. (Photography by Joseph R. Modugno) |
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William Hathorne Autograph The Autograph of William Hathorne (courtesy of Peabody Essex Museum, Salem, MA) |
George Fox, Quaker from England (courtesy of Dr. John L. Idol, Jr.) |
George Fox, Quaker from England (courtesy of Dr. John L. Idol, Jr.) |
George Fox, Quaker from England (courtesy of Dr. John L. Idol, Jr.) |
1. Students interested in the creative process in general and, more specifically in how Hawthorne employed and transformed historical and familial information to compose the literature he wrote might be interested in re-reading the description of the circumstances that gave rise to old Matthew Maule's curse upon the Pyncheon family , reading the excerpt from the biography of Thomas Maule , and visiting the Maule Genealogy Website . Look also at the introduction to Young Goodman Brown . Then compose and essay in which you speculate on how Hawthorne's mind might have worked to combine these ingredients so that he was able to imagine old Matthew Maule of The House of the Seven Gables and/or consider what elements in your own history and family and present day surroundings might be forged into an engaging tale.
George Fox, Quaker from England (courtesy of Dr. John L. Idol, Jr.) |
"The Persecution of Quakers and Witches in 'The Gentle Boy,' 'Young Goodman Brown,' and Related Works," lecture by Dr. Buford Jones, Duke University, delivered at The House of the Seven Gables Historic Site on October 13, 2000.
"Figurations of Salem in 'Young Goodman Brown' and 'The Custom-House,'" lecture by Dr. Rita Gollin, SUNY, Geneseo, delivered at Phillips Library, Peabody Essex Museum on September 23, 2000.
"Maine, Indian Land Speculation, and the Essex County Witchcraft Outbreak of 1692," article by Dr. Emerson W. Baker and Dr. James Kences from Maine History, volume 40, number 3, Fall 2001 (pp. 159-189). (Please do not cite or reproduce without permission of the authors; write to Professor Baker at: ebaker@maine.rr.com)